Friday, 21 December 2018

Bigwigs of the past to be honoured

Art lover Oskar Reinhart
Tribute will be paid to a number of big Winterthur personalities, whose work still makes the city what it is today, at a big ceremony in Winterthur’s Eulachhalle on 2nd January.

Those paid tribute to will be the city’s industry pioneers Gebrüder Sulzer, namely Johann Jakob (1806-1883) and Salomon (1809-1869) who built a small foundry into a global company, Jonas Furrer (1805-1861) the first Federal President of modern Switzerland and the great art collector and patron Oskar Reinhart (1885-1965) to whom Winterthur owes its position as an art and cultural metropolis.

The event, which is open to the public, will be opened by the Winterthur Council candidate Natalie Rickli, will begin at 10.30, with the doors opening an hour earlier. After the event a small snack will be on offer.  

The hall is a 10 minute walk from Winterthur Bahnhof in the direction of Winterthur FC’s ground. A regular shuttle bus leaves from the trainstation from 9:15am tuntil10:30am.

Monday, 10 December 2018

My Winterthur postcards are now on sale!

My A5 Winterthur postcards are now for sale at Paddy O'Briens in Winterthur! You can find them on the bar - a bargain at 5fr each :D

Wednesday, 21 November 2018

My new role as artist apprentice

Erwin at work
I have started a wood carving apprenticeship with Erwin Schatzmann, a well known artist in Winterthur. I first visited his Morgenland studio in Hegi, on the edge of the city, as part of the Open Doors weekend back in September. I was spellbound by this place, which is where Erwin eats, sleeps and makes his art. He derives his income from his art, and is content to live modestly but his studio is a hive of colour, filled with his strange, flamboyant art. I loved it so much and it inspired me to write to him.

I have always harboured a dream to learn how to carve wood, so in my pretty basic German, I wrote to him, asking if he would make me his apprentice, thinking it was a long shot but there was no harm in giving it a go. And, lo and behold, a few days later he rang me and invited me along for a chat.

I am now working in his studio two mornings per week. I have already completed my very first ‘wood spirit’ and am very proud of it. There is something intrinsically satisfying in creating something, chipping away at it day after day until something emerges. I cannot quite believe I have somehow fashioned a face from a tree trunk (I now spend hours at a time walking through my local woods with my girls seeking out new bits of wood left behind by the loggers) It’s a new, exciting part of my life and I feel honoured to be experiencing something so unlike the rest of my normal routine.

I can't wait to see what I will create next. Watch this space…J



Thursday, 25 October 2018

Winterthur Jungkunst Weekend

Anyone visiting Zurich HB must be familiar with the posters featuring a greyhound with a red wig blowing in the breeze. An iconic image if ever there was one! Well, it's all about a big weekend-long Festival of Young Artists taking place in Winterthur this weekend, starting today.

In Halle 53 (five minutes walk from Winti HB) there will be lots going on, with art installations and even a special performance from the Musiccollegium Winterthur.

Times of opening:

Thursday 4pm - midnight
Friday: 4pm until 1am
Sat: 11am - 1am
Sun: 11am - 6pm

Admission is 15fr and children go free. Dogs are welcome and anyone bringing a Greyhound (wig optional) can get in for free!

www.jungkunst.ch

Thursday, 18 October 2018

Face the Robots (if you dare) at Gewerbemuseum

Despite living here for five years now, last week featured my first ever visit to Winterthur’s Gewerbemuseum.

The thing that caught my eye was an engaging poster for the Hello Robot exhibition which consisted of a robot building a structure out of stones (c30 tonnes) and twine (c120km) on the Kirchplatz.

The exhibition, which considers robots in four sections: ‘Science and Fiction’, ‘Programmed to Work’, ‘Friend and Helper’ and ‘Two into One’ explores our relationship with robots while asking some pretty fundamental questions that promote a great deal of thought, especially in today’s climate with the evolution of AI and its un-nerving implications. But it also reminds us about the way machines have crept into much of our daily lives too.

It certainly has a wow factor, often in quite chilling form. On entering, I am confronted by a selection of life-sized robots and a constantly recurring black and white video clip featuring Elektro, the Moto-Man which was presented by the Westinghouse Electric Corporation at the New York Fair in 1939. The 7’ bronze Adonis could talk, smoke cigarettes and one of his catchlines was ‘My brain is bigger than yours’ Nearby, the R.O.B. (Robotic Operating Buddy) that seems to have been modelled on ET, was Nintendo’s early attempt, launched in 1985, to transport a virtual video game into a robot – the interaction was so slow and cumbersome that it didn’t really take off (a thought suddenly hit me gazing at this ET look-a-likie - this was just 33 years ago..)

On the far wall featuring great science fiction movies such as Blade Runner and The Matrix (my two personal faves) was one of the original posters (only four in the world) in all its art deco glory, of the film Metropolis (1927) a pioneering work in the Sci-fi genre. It includes one of the first robots ever depicted in cinema and the protagonists’ plight to reduce class division in the city. ‘Instead of reducing toil for the workers in Metropolis, automation has only amplified their suffering’ I think grimly of the hundreds of emails I used to have to deal with in my work as I saunter into the far room on the right.

Do we really need Robots?’ is the foreboding question above a host of pictures by photographer Eric Pickersgill exploring people’s disregard for their immediate surroundings while they stare at their empty hands where their phones would usually be installed. Angie and Me (2014) is especially tragic.  
I enjoy a nostalgic go at the video platform game Mega Man (does anyone remember Manic Miner on ZX Spectrum?) and, stepping into the next room, watch the film The Last Job on Earth where a fully automated world has created rampant inequality and slums filled with people ‘condemned to live without the comforts afforded by progress.’ At the end is a series of quotes, including one by Andy Haldane, chief economist at the Bank of England: ‘Machines are already undertaking tasks which were unthinkable – if not unimaginable – a decade ago.’

Wandering throughout the rest of the exhibition I especially enjoy the Mon Oncle clip where Mr Hulot struggles with his sister’s obsession with living a modern lifestyle, I enjoy being reminded of loveable Wall-E (another fave film) and recoil at the sight of a robot arm with a milk bottle suspended over a baby’s crib with the ominous words suspended above: ‘Do you want a robot to take care of You?’

The Waste is beautiful and reminds me of Ex Machina – I briefly wonder why this incredible film isn’t featured in the exhibition – but then the meaning of the title grips me and the awe turns to disgust as I read about  a techno-consumer culture where body parts are no longer fixed components and are instead disposable, eventually becoming ‘waste’. And again, a scene from Ex Machina returns to haunt me – the image of all the half-finished female bodies in the closet…

Passing a sad robot that is unable to blow out her birthday candles, I arrive at - for me, the climax of the exhibition - a huge screen featuring the music video to Björk’s All isFull of Love (released on her third studio album Homogenic in 1997) which depicts Björk as a robot being assembled in a factory while she passionately kisses another female robot. The video has been often cited as one of the best of all time and a milestone in computer animation.

The exhibition urges us to consider how we should respond to all this – and plays its part in sounding the alarm for a discussion that is urgently needed - before we leave it all too late….

Hello Robot will continue at the Gewerbemuseum until Sunday, 4th November. Admission 12fr adults, children go free.

Tuesday, 2 October 2018

A trip to Morgenland

We fell in love with the Never Ending Story bench in the Kircheplatz from the first day we set eyes on it, not long after moving from England to Winterthur back in 2013.

And when I found out that its creator Erwinn Schatzmann lived and worked in the city and was taking part in last weekend’s Open Doors art event, I seized my chance to go along and check out his ‘Morgenland’ with my girls.

It’s around a 10 minute walk from Hegi Bahnhof bus stop (bus no.14 from Winti HB) and with no signs to lead the way you constantly wonder if you are going in the right direction. But there is no mistaking the place when you suddenly come upon it, with its outlandish characters and a multitude of flags flapping in the breeze. You walk in through a little doorway into what can only be described as a little treasure trove of fantasy.

Erwin’s Morgenland is a living, breathing testament to this incredible character, a completely self-taught artist who has crafted his studio, where he also eats and sleeps, up around him on the edge of an industrial estate. He has built this organic wooden structure – from recycled building materials, to contain his workshops, eating/dining areas, shrines to Jesus, the Virgin Mary and various people, hidden away in a maze of little paths and stairways, creating a myriad of nooks and crannies – there’s even a handcrafted mouse hole.

Along with my daughters, we ran up and down the little passageways with glee and there was Erwin in the middle of it all, smiling, welcoming and whenever he sat down, he would take up his sewing (he makes his own clothes) He has various philosophies on life and art that he likes to share with the public. Some of his art/ philosophical/religious essays have been exhibited in the Kunsthalle Winterthur and he has just published a little book on his thoughts – and I opened a page to read ‘…art is medicine.’ Wise words indeed.

Erwin mainly secures his income from the sale of his monumental, colorfully painted wooden figures, which he has done here in Winterthur for more than 30 years. He also achieved greater recognition between 1996 and 1999 with his project to establish "A Lake for Winterthur", which was rejected but this did not stop him from launching a new edition in 2011 entitled "7 lakes for Winterthur".

Morgenland  can be booked for guided tours and events and Erwin also offers day long wood-carving workshops for 80fr.

Wednesday, 26 September 2018

Offene Ateliers/ Open Doors this weekend

Around 60 artists open the doors to their studios throughout our beautiful city this weekend (29th/30th) for the annual Open Doors event. There will be a host of opportunities for creative inspiration and exchange: 


Sunday, 23 September 2018

Wilkommen to Winti H.H the Dalai Lama

With the Dalai Lama (now 83) in town, celebrating the 50th birthday of the Tibet Institute in Rikon, I wanted to research a little feature on our Tibetan community in Winterthur.

Following the 1959 Tibetan uprising in Lhasa against the control of the People’s Republic of China and the Dalai Lama’s forced exile into India, thousands of Tibetan refugees fled. Many were welcomed by Switzerland where they found work and shelter in Tösstal.

A little while later, the Kuhn family, industrial entrepreneurs in Rikon, realized the refugees were in need of a spiritual centre and after careful consultation with His Holiness the 14th Dalai Lama, they founded and financed a Tibetan monastery in the village. On September 28, 1968, the monastery was inaugurated. Since then, a community of around ten monks, headed by an abbot appointed by His Holiness, provides spiritual support to the Tibetan Community in Switzerland and Liechtenstein.

A library has also been built, focusing on Tibetan Buddhist Culture and History, comprising around 12'000 books and including a broad range of audio and video material as well as photo archives. As part of the Zürich network of academic libraries, it offers electronic access to all. It is open every Saturday from 10am until 6pm.


Next Saturday (29th) a Public Charity Concert will take place by the Musikkollegium Winterthur at the Stadthaus to help raise funds for the monastery.

The music will be by Joseph Haydn, Igor Stravinsky, Felix Mendelssohn Bartholdy and Ludwig van Beethoven. The event takes place between 5pm and 7pm and admission is free - there will be instead a collection in favour of the Tibet Institute Rikon)


You can reserve seats here.

Tibet Institute Rikon

Monday, 20 August 2018

Metronomy brings Musikfestwochen to a grand tub-thumping finale

It was a hazy, lazy, Sunday night in Winterthur and we ambled up Marktgasse in the warm evening sunshine, feeling lucky to be out on the last night of the summer holidays and excited about seeing Metronomy at the Grand Finale of the city’s 43rd Musikfestwochen.

It was all going on around the Kirchplatz and we strolled in through the gates easily, flashing our tickets and receiving a little cloth band which was lovingly tied around our wrist. There was a wonderful, relaxed ambience, people milling everywhere - a huge diversity aged from 0 to 100 (and probably over, knowing the Swiss) We grabbed a couple of Chopfab Truebs from one of the many pop-up bars and relaxed on the beautiful raised terrace which had been fixed temporarily to the side of the church for the event with laidback seating amongst a host of potted tomato plants and herbs. Many people were enjoying a bite to eat from a great variety of food stalls offering plenty of vegetarian and vegan options. It was such a relaxed and happy atmosphere. We felt in the midst of a giant sociable hug.

With this lovely fuzzy feeling still strong, we made our way back down to Steinberggasse and managed to bag a spot close to the stage 10 minutes before Metronomy were due on. And at 8pm, there they were, walking quietly onstage and then – BAM! - they began to play with FUNK, glorious FUNK. All I can say is wow. Wow, WOW! I haven’t experienced such an energy of this calibre in a gig since The Coral at Liverpool’s The Royal Court many moons ago.

Metronomy is one of the most exciting British bands around right now. They’ve been called a host of things, from lounge-pop to fairground synth, to disco, to sexy electro-pop but for me they just ooze funk, the best, sexy, kind of funk, which all began in the bedroom of Joseph Mount. They’re slick, they’re full of surprises – I loved it when the drummer Anna Prior returned to the stage dancing with her tambourine before launching into Everything Goes my Way with her sexy sultry voice. There was the nostalgic Love Letters with its boppy beat and a new exciting song and then towards the end a tub thumping hypnotic performance of The Look which left us in no need for an encore. And best of all, the band were having a great time – I love how they all sing along to each song - feeding off the energy of the crowd. The tempo would constantly change and gather pace, keeping us under a spell, then Olugbenga’s boom, boom base line would cut in and the crowd surged, roaring with appreciation, a mass of bodies rising and falling in time with the beat. I did not stop dancing, along with everybody else around me. Neither did Gray - and he has a bad back (for the time being forgotten)

Winterthur has done it again, bringing us a 12 day long love affair with music, enhanced by the perfect garnishes of food, beer, fellow music lovers and stunning array of places to sit, stand, dance and enjoy the buzz.

Saturday, 4 August 2018

A gig with Ed

It was more than a year ago we purchased tickets for last night’s Ed Sheeran gig. We felt very lucky to get them – they were sold out within 6 minutes, or so I’ve been told. My daughter, now 11, had been a big fan of his since 2015, way back when all her Swiss friends hadn’t even heard of him (can you imagine?) But of course, in the lives of young children, planning a gig a year in advance is a risky business, they’ve usually moved on to some new band or fad in the music world. And yes, these days my daughter does listen to a lot less Ed Sheeran and her music appreciation has spread wider to include Alanis Morissette, the Kinks and Metronomy, among many other great bands and singers.

But as we got ready for our big night out I could tell she was excited as she carefully drew her big heart-shaped poster which simply said ‘Ed Sheeran’ in Schnellschrift and donned her favourite red ‘going out’ top. Her little 9-year-old sister less so. She loves her Ed Sheeran playlist on Spotify but she had never been to a concert and wasn’t too thrilled at the prospect.

I, on the other hand, think Ed Sheeran is amazing. It’s not the kind of music I usually listen to but he is a sing-a-long to, boogie-a-long to, all-round great guy. I genuinely think he is the nicest man in pop. Since Paul Weller anyway.

We set out at 4pm in melting temperatures and an hour later (by bus, train, bus) we were walking up to the Letzigrund amongst a horde of other concertgoers, who had also arrived by public transport, a steady stream alighting from trains, trams and buses. My youngest was starting to get interested by now – ‘How many people do you think will be at the concert mummy – 3 million?’

We found a place at the side of the standing area about a third of the way back (very frustrating – I would have loved to edge myself through to the front as I used to but now unfortunately mummy-dom calls) and sat down to wait for Ed. I grabbed a pint from a passing Beer Ghostbuster, with keg strapped to his back connected to a nozzle with which he zapped your glass full, and the girls grabbed Ben and Jerry’s ice creams from another vendor patrolling the crowd. When it comes to refreshment provision, the Letzigrund have it nailed.

The two support acts were good, beginning with a very ‘Sheeran like’ singer Jamie Lawson and ending with Anne Marie, although I was a little disappointed how niche she was – her target audience was pretty much girls between 9 and 15. My husband, who likes Ed but feels ‘he’s gone a little too commercial these days’ and was at the concert under duress, suggested that is pretty much Ed’s target audience. I wholeheartedly dis-agreed and looking around, it was not just teenage girls – there was a whole host of men and women of all ages standing around us.

Ed came on at 8.45pm prompt, and took us with him on a fantastically boppy, joyful 90 minute journey of songs, dancing and a fantastic stage set. Commanding the stage with nothing more than his guitar and a loop pedal, Ed captivated the audience from the off, opening the show with Castle on the Hill much to the delight of our eldest (one of her very favourite songs, along with Bloodstream) As he seamlessly flew into another of his most famous hits A-Team. I was happy, I knew the words to these songs and could sing along to my heart’s content, much to the consternation of my pre-teen, who is very embarrassed about her mum showing any kind of emotion in public. But then, lo and behold, I got the nod from Ned – he gave me permission to sing – and dance, during one of his very chatty preludes between songs and so I did - and it was great. I especially loved his Cèilidh inspired version of Galway Girl which got the whole stadium jumping and a-jigging.

Ed loves to talk and in the end it felt like an audience with Ed, instead of a regular concert. He talked to the boys who had been dragged along by their girlfriends and he talked to the dads, or ‘superdads’ who had gone along in support of their children, pondering about the bad traffic, etc, etc He told us about how he once had one of those dads, who took him along to many concerts (and look where he is now, we thought) And he talked to mums like me who were itching to sing and dance, despite their teenage daughters standing alongside, sneering.

As the night drew in, the volume increased, and the mood dripped with atmosphere as Ed produced a brooding rendition of Bloodstream and even his own version of Nina Simone’s Feelin Good. We launched into the slow numbers with the lovely Perfect sparking a chain reaction of twinkling phones held aloft (in my day it was lighters) a manmade tribute to the starry sky twinkling above our heads. My daughter and I love Thinking Out Loud – it may be schmaltzy, but surely those beautiful lyrics resonate with each and every one of us?

The pace picked up again and we all sung Sing with its catchy groove to end the show with a fanfare. But we all knew it wasn’t over. Ed left the stage after encouraging the crowd on a wave of ‘Wo wo wo wooohhh wo wo wo woh, wo wo wo wooohhh wo wo wo who…’ which we all enthusiastically kept up until he reappeared in a Swiss football kit, much to the delight of the crowd. He continued the adoration of the home crowd as he launched into Shape of You, which must be the most played tune in the history of Switzerland (for a while I could not put on a radio station or walk into a clothes store here without hearing it) The crowd roared with appreciation for this especially well-known number of theirs which they could confidently sing along to and wave their arms to wildly.

And then he played a blinder with his final song You Need Me, I Don’t Need You. Superb performance, fantastic stage set. And BOOM – we were left in no doubt it was over. I haven’t experienced the end of a set like that since I saw The Coral at Liverpool’s Royal Court.

I thought Ed’s concert would be good but it was spectacularly so. It was exciting, it had oodles of energy, Ed has talent, oodles of talent, and it went ultra-smoothly. It takes incredible balls to conduct a concert to a stadium of people all by your onesie, with nothing but your beloved guitar and a loop pedal. Any journalist criticising Ed Sheeran’s performance for being a bland everybloke (Guardian) and having ordinary material (Telegraph) completely misses the point (or maybe they’re just jealous that this ‘ordinary guy’ commands the adulation of millions of teenage girls) 

Ed Sheeran cares. His songs are great, especially his earlier stuff, much of which he sung last night. He sings about stuff that matters, he talks to us, he’s a regular guy, who his dad dutifully took to concerts, who made it. Just like any other of us could make it. We all loved it, my eldest (of course) my youngest (dead on her feet by the end but completely spellbound by the whole experience - and she saw a shooting star!) Even my husband was super impressed, saying that was the best concert he’s seen in a long time. The best even since Paul Weller. And that’s saying something.

Saturday, 7 July 2018

Come on England!

I am loving the World Cup this year. Well, okay, I always love World Cup time but this one seems to be the most exciting yet, with so many big surprises and emotion, coupled with sublime football prowess to the foulest play I have ever seen – oh and of course lots of last minute excitement.

Throw in a fantastic local pub, with great, cheap beer, fives minutes walk from the house to view the excitement alongside my adopted Swiss ‘family’ and yep, it’s tip top this time round.

And England have made it to the Quarter Finals! What a surprise! And with Brazil going out last night…dare I hope…

Double whammy, headlining with the England match today, I get to enjoy the first official gig for Gray. It’s going to be great – what a day. The only downside is that Gray starts gigging at the same time England kicks off – so he’s not best pleased, to put it mildly. We’ve just been discussing the hand gestures so I can update each goal while he’s playing. Hope I don’t get that wrong. Now, was England my right or left hand…

www.stallrock.ch

Watching last night's Brazil v Belgium game with my friend Maria

Setting up Stallrock in the village this morning


Sunday, 27 May 2018

Totoro and a Satch Spray Day

We went along to a Satch (Swiss creator of all things to do with rucksacks and pencil cases) Spray Day at Büro Schoch in Marktgasse in Winti yesterday. My daughter Poppy had saved up her pocket money to spend 20fr – yes, 20fr – on a Satch pencil case and have it personalised for free by an in-store ‘graffiti artist’ I do find 20fr a little pricey for a pencil case but, as is always the case, if my children want to spend their own money on something creative then I am a big softy.

So we seated ourselves at the artist’s bench yesterday morning and rifled through examples of his previous artwork for ideas. We were a little uninspired by what was there but fortunately we had a few ideas of our own, downloaded on t’internet, mainly focused on Totoro, our favourite ever Studio Ghibli movie character. I showed the artist an example on my phone, which he took out of my hand, gave a nod (he was a man of very few words) and got on with the job in hand.

Poppy was very pleased with the result and can’t wait to show it off at school. Best of all, it didn’t cost me a penny, a rare and welcome treat these days J

Sunday, 20 May 2018

Switzerland's first National Reading Day

Reading aloud to your children is a wonderful thing. It is one of my favourite times of the day when I snuggle up in bed with my daughter, now 8, and read to her. My 11-year-old often she comes to lie across the end of the bed to listen.

On Wednesday (May 23) the first National Reading Day takes place throughout Switzerland. This will be a day when many events will take place in communities small and large.

Winterthur’s libraries will also be taking part. There will be two special events taking place on the day at all seven libraries around the city:

  • Between 2pm and 4pm, there will be a special games and stories session, with zvieri, for children aged between 5 and 9 years.
  • Between 6pm and 7pm, the entire city council has made themselves available for reading aloud in the seven libraries to middle school and high school students.as follows:
  •  Stadtbibliothek - City councilor Yvonne Beutler
  • Hegi - City Councilor Jürg Altwegg
  • Oberwinterthur - Mayor Michael Künzle
  • Seen - City Councilor Stefan Fritschi
  •  Töss - City Councilor Barbara Günthard-Maier
  • Veltheim - Councilor Nicolas Galladé
  • Wülflingen - Councilor Josef Lisibach
More details on the Stadtbibliothek website.

National Reading Day in Switzerland website.

Saturday, 19 May 2018

100 year anniversary of Ferdinand Hodler

Die Nacht, 1890
Today marks 100 years since the death of Ferdinand Hodler, probably the most recognised Swiss painter of today.

Hodler (14th March 1853 – 19th May 1918) was hailed as helping to revitalise monumental wall painting and his work was thought to embody the ‘Swiss federal identity’ Many of his best-known paintings are scenes in which characters are engaged in everyday activities, such as the famous woodcutter (Der Holzfäller, 1910, Musée d'Orsay, Paris). In 1908, the Swiss National Bank commissioned Hodler to create two designs for new paper currency. His designs were controversial: rather than portraits of famous men, Hodler chose to depict a woodcutter (for the 50 Swiss Franc bank note) and a reaper (for the 100 Franc note)

Winterthur Kunstmuseum features many of Hodler’s works in the main collection and includes works such as Die Empfindung (1908) and Der Redner, Studie zur Einmütigkeit (1913) in the current Ferdinand Hodler – AlbertoGiacometti. An Encounter.
Der Redner, Studie zur Einmütigkeit (1913)


He was born in Bern, the eldest of six children. By the time he was eight years old, he had lost his father and two younger brothers to tuberculosis. His mother remarried to a decorative painter named Gottlieb Schüpach who had five children from a previous marriage and the birth of more children brought the size of Hodler's family to thirteen.

The family was poor, and nine-year-old Hodler was put to work assisting his stepfather in painting signs and other commercial projects. After the death of his mother from tuberculosis in 1867, Hodler was sent to Thun to apprentice with a local painter, Ferdinand Sommer where he learned the craft of painting conventional Alpine landscapes, typically copied from prints, which he sold in shops and to tourists.

At the age of 18, Hodler travelled on foot more than 160km to Geneva to start his career as a painter. He later travelled to Basel where he studied the paintings of Hans Holbein - especially Dead Christ in the Tomb – and Madrid in 1878 to study the masters such as Titian, Poussin, and Velázquez at the Museo del Prado.

The works of Hodler's early artwork consisted of landscapes, figure compositions, and portraits, treated with a vigorous realism and in the last decade of the nineteenth century his work evolved to combine influences from symbolism and art nouveau. His turning point was the creation of Night in 1890 which created a scandal at the Beaux-Arts exhibition in Geneva a year later. However, a few months later, it was exhibited in Paris at the Salon where it attracted favourable attention and was championed by Rodin.
Die Empfindung (1908)

Hodler developed a style he called ‘parallelism’ that emphasized the symmetry and rhythm he believed formed the basis of human society. In paintings such as The Chosen One (1893), groupings of figures are symmetrically arranged in poses suggesting ritual or dance. Hodler thought of woman as embodying the desire for harmony with nature, while a child represented innocence and vitality.

After several divorces Hodler met Valentine Godé-Darel in 1908 who became his mistress. She was diagnosed with cancer in 1913, and the many hours Hodler spent by her bedside resulted in a remarkable series of paintings documenting her decline from the disease. Some of these are currently being exhibited in the Ferdinand Hodler – Alberto Giacometti. AnEncounter exhibition at Winterthur Kunstmuseum. Valentine’s  death in 1915 affected Hodler greatly and he died just three years later.

Winterthur Kunstmuseum website.

Monday, 14 May 2018

Mother's Day at the museum

Portrait d'Annette, 1964, Alberto Giacometti
I had the perfect Mother’s Day present yesterday – a whole morning to myself to spend at the local art gallery. Not that I don’t love my little tykes to bits, but I do get to spend every day with them and free time is a coveted and very rare thing indeed, as every mother knows. It was also the perfect day for a visit to a gallery as it was also International Museum Tag (although in the UK it isn’t actually until 18th) which means free admission.

I went along to the Ferdinand Hodler – Alberto Giacometti. An Encounter exhibition at the Kunstmuseum Winterthur, hailed as the first time ever that the two great Swiss artists have been featured in a joint exhibition. It is easy to see why, as at first glimpse they are poles apart – Hodler with his strange painterly depictions of repetitive figures on grand canvases and Giacometti with his squished heads and sculptured forms (a friend of his once said that if Giacometti decided to sculpt you, ‘he would make your head look like the blade of a knife’)

But the curators had worked hard at finding several parallels, such as the representation of groups of figures, studies of the Swiss mountain peaks and a particularly touching room featuring the artists’ lover and mother.

Giacometti was born at the beginning of the 20th century (10 October 1901) and Hodler was born much later in 1853 (14th March) although funnily enough, both artists died at the age of 65.

Selbstportrat mit Stehkragen, 1879, Hodler
The first room contrasts the artistic giants’ two self portraits cleverly – I mistook them for each other’s work! The Giacommeti painting looked to me just like Hodler’s work and the Hodler self portrait was how I imagined Giacommeti would have looked when younger. My favourite by far was the Hodler self portrait. It was astonishing - so feverish and haunting - he looked like a man possessed - and so unlike any work I have seen of his before. I attempted to catch this in a quick sketch – see below.

The next room featured the groups of figures. I liked the contrast in this room – each piece of Hodler’s work was accompanied by a piece of Giacommeti’s featuring a group of similar proportions – Hodler’s monumental paintings of characters moving in a kind of harmony, contrasted splendidly with Giacommeti’s tiny, isolated figures detached from the world around it. Then there was the collection of alpine paintings, which to me seemed to have a similar approach for the two artists, my favourite here was the one by Giacometti – see below.

The most penetrating and poignant room featured a host of work by Hodler depicting his model and lover Valentine Godé-Darel – once alive and smiling and the rest of her on her deathbed (due to cancer) just two years later. A heartfelt reminder of how quickly we can lose our loved ones. Giacometti’s portrait of his mother (see above) is just as revealing, as her  wavering head disappears into the grey ether surrounding it.

I just made a couple of sketches - quite unusual for me, as I often leave an exhibition with a notebook brimming with pencil drawings, but those two sketches were telling – the two pieces of work and two people who, for me, had the greatest impact.

Ferdinand Hodler – Alberto Giacometti. An Encounter runs until 19th August. Admission 19fr. opening hours Tuesday 10am – 8pm, Weds until Sunday 10am - 5pm and Monday closed.


Monte del Forno, um 1923, Alberto Giacometti

Portrait de Diego sur socle, 1959, Alberto Giacometti

Valentine Godé-Darel auf dem Totenbett, 1915, Ferdinand Hodler 

Wednesday, 18 April 2018

Artwork at Sekundarschule Rosenau

I love looking at young people's art. It has such energy and imagination and I always find it inspiring. So I am very happy to have found a host of local school pupil’s artwork to enjoy. The artwork of students at Sekundarschule Rosenau in Winterthur is being posted on a blog for all to see.

Their latest project involves the continuation of a picture outside the frame and it’s wonderful how the students have approached this particular project. There are rainbows, snakes, pizza cheese, an eyeball and even the universe eeking out of the picture frames. Oil pastels were used to paint the motifs on paper and the outlines of each was carefully cut away from frames found online.





Friday, 13 April 2018

Film Stars don't die in Liverpool at Kiwi Loge

I've found out there is a little cinema, the Kiwi Loge, in Oberer Graben that shows English movies - the more unusual ones you won't very often find being shown. I'm absolutely made up. I used to run a film club in England and knew there would be something similar hiding in Winterthur somewhere - and now I've found it!

And it's showing Film Stars don't die in Liverpool - over the weekend in English (with German and French subtitles) Performances take place at 5.30pm and 8pm each day from today until Monday. Admission 17fr. Here's the blurb:

Film Stars don't die in Liverpool, a movie by Paul McGuigan.

Based on the heart-rending memoirs of British actor Peter Turner telling the playful yet passionate love story between Turner and eccentric actress and Academy Award winner Gloria Grahame (The Bad and the Beautiful). What begins as an exciting affair between the legendary film diva and her adolescent lover quickly develops into a deeper relationship. After all, Turner is the only person who can give Grahame consolation and strength during the last tragic days of her life. As always, Grahame Turner is adorable - for a last, deeply moving performance.

Thursday, 12 April 2018

Presidential heavyweights 'battle' it out for top spot

Front cover of this week's Winterthurer Zeitung
The headline story of the Winterthurer Zeitung this week features Michael Künzle, current president of Winterthur, and Yvonne Beutler who is hoping to take his place in the elections to be held on 15th April (Sunday!) I guess it is a battle between the Social Democratic Party of Switzerland, also known as the Swiss Socialist Party, (Yvonne) and the more traditional Christian Democratic People's Party of Switzerland (Michael)

Under the promising headline ‘Collegiality gives way to rivalry’ I thought the ‘interviews’ fairly staid and one-dimensional. I would have liked to see more interesting questions such as What do you think Winterthur will look like in 20 years time? and What do you think of Universal Basic Income? How do you think we can combat the increased automation of people’s jobs? Etc, etc…

I mean, this is a big job right? Winterthur is a fantastic, cultural city, full of incredible, enthusiastic people. It should be at the forefront of culture and progress in the most dynamic way. The only revealing answer on these lines was following the one statement put by the newspaper reporter as: I want to be President of the City because I can bring Winterthur more than my opponent. Here are the replies:

Michael Künzle: I have proven in recent years that I am committed to our city. Our city is doing well. The track record, which I have achieved together with the city council, can be seen. We stabilized the finances, increased the number of employees, renewed the cultural mission statement and subsidy agreements, took decisive steps in the urban museum concept, introduced integrated location marketing, concluded a development agreement with SBB, prevented the school of engineering from leaving the company, and the Frauenfeld crisis AG mastered, the police building brought by the referendum and so on. In the future, we will continue to need stable finances, more jobs, a mixed population, a diverse culture and sports facilities. The goal is a modern, innovative, self-confident city with a high quality of life.

Yvonne Beutler: Winterthur has the choice between two "models" of a city council: a conservative city father and a modern city president, who sees the focus not only in representation, but also in leadership. Together with the city council, I would like to actively shape the development of our city as a team, give it more momentum and give it a fresh face inside and out. Thanks to my previous work as a justice of the peace, I have great experience in developing sustainable solutions for the most diverse people in crisis situations. After 20 years of politics, I know our city thoroughly and I am well connected. I approach openly people and companies, I am resilient and humorous and ready to make unpleasant decisions. My excellent election result also speaks for my performance.

Micheal sites one of his achievements as taking decisive steps in the ‘urban museum concept’ Now I’m not sure exactly what this has achieved, other than perhaps saving money. All I can see is one website where the Kunstmuseum, Oskar Reinhart Museum and Villa Flora have been lumped together and the three museums are now referred together as the Kunst Museum Winterthur. As opposed to one of the museums which was already called the Kunstmuseum Winterthur and is now just called ‘Beim Stadthaus?’ The problem they have is that all over the internet, the Kunstmuseum Winterthur just means the one, more contemporary museum, not all three. All very confusing.

Anyway, Micheal’s goal is ‘a modern, innovative, self-confident city with a high quality of life’ which is just what Winterthur is and why I love it so much. But right now it needs momentum, as Yvonne says. I like her focus on the words ‘shaping the development of the city’ and ‘momentum’ because for me that is just what Winterthur needs – a modern, forward looking approach and a healthy dose of momentum. I think we’re ready for a change. I’m with Yvonne J


Full story here.

For information, politics in Switzerland works on proportional representation and a ‘magic formula’ How good is that? It means the four main parties are dealt with equally and fairly. So the composition of the Federal Council looks like this:
  • Free Democratic Party (FDPP/PLR/PLD): two seats
  • Social Democratic Party (SPS/PSS): two seats
  • Swiss People's Party (SVP/UDC/PPS): two seats
  • Christian Democratic People's Party (CVP/PDC/PPD/PCD): one seat
Neat huh? We sure could do with a magic formula in the UK…

Wednesday, 11 April 2018

Sunday Kunstspaziergang for children

Die Kinderkrippe, 1890, Albert Anker, Reinhart Am Stadtgarten
The next Kunst Museum Kunstspaziergang, for children aged between 5 and 8, will take place at 10am on Sunday (15th April) at the Reinhart am Stadtgarten. The theme will be the wonderful Albert Anker. 

The event comprises a study of an artwork and then the children can produce their own response with art materials. The session, which costs 5fr per child, takes around 90 minutes - just enough time for a leisurely coffee ;) 

You must register for this with Annika at annika.detomsai@bluewin.ch or you can telephone on: 052 243 3903.

Globus is coming to town

Winterthur looks set to finally get its own Globus store. Did you know that the group is owned by Switzerland's largest retailer, Migros? And of course, their former mascot, Globi, probably the most well-known character in the whole of Switzerland.

I am amazed at how long the popularity of this little star, whose first appearance was in 1932, has lasted. Globi is a blue parrot with a yellow beak who wears a black beret and a pair of red and black chequered trousers. 

He was created by the Swiss cartoonist Robert Lips as an advertising character for Globus in 1932 for the company's 25th anniversary. He was originally planned to be called ‘Kimbukku’, but later renamed Globi after the local Basel German (Baseldytsch) dialect word for the department store that created him. Apart from zillions of cartoon books and a more recent movie, Globi also has his very own theme park in Engelberg.

Monday, 9 April 2018

Wild auf Wald exhibition at Naturmuseum

An exciting new Wild auf Wald exhibition has opened at Naturmuseum Winterthur (ground floor of the Kunstmuseum) As part of the exhibition, which is all about life in the forest, there will be various events taking place as well as guided tours, including wildlife safari Aktion Squirrel on Sunday(15th April) between 2pm and 4 pm. Just go along to the Naturmuseum for 2pm.
The next holiday workshops will take place during the spring holidays (24-28 April and 1-5 May) Each workshop runs in the activity zone between 1.45pm and 4.30pm Tuesday-Saturday. Suitable for children aged 6 and over, with accompanying adults.
And also take note that children aged 10 and older can visit the museum unaccompanied - and children go free!

W: naturmuseum